≡ Menu

jaced.com

James Bonnet, author of (one of my favorite books) Stealing Fire from the Gods, has some cool thoughts on the role of the love interest in great stories.

According to Carl Jung, the anima is the inner figure of woman held by a man’s psyche, and the animus is the inner figure of man at work in the woman’s psyche. They are subliminal to consciousness and function from within the unconscious psyche. They act as guides and become necessary links with creative possibilities and instruments of individuation. Individuation being Carl Jung’s path to a fully realized individual.

In great stories, the metaphors that personify the positive and negative anima and animus archetypes are the positive and negative male and female love interests of the hero and antihero. I call the negative anima the temptress or femme fatale and the negative animus figure, the corrupter.

We encounter the positive anima (feminine love interest) in just about every story that has a male hero. She helps to lure the hero into the adventure and acts as his guide. Psychologically, the positive anima is a man’s inner vision of divine beauty and the source of his most productive fantasies. In real life, she’s the girl he falls in love with and wants to marry, the girl he makes promises and commitments to. Her love inspires him and is a major source of positive reinforcement. Under her spell, he longs to be a real hero, a man of honor, a mensch, a man who acts courageously and meets his obligations. And if his character is flawed, she’s the one who can shape him up or pressure him to get out there and make it happen.

Read the article here.

For instance, director David Fincher claims there is at least one Starbucks cup visible in every scene of the film.

fight club brad pitt edward norton tyler durden

At least one Starbucks cup in every scene of Fight Club

Full story at BuzzFeed.

mark hamill harrison Ford Star Wars 1977

Han Solo and Luke Skywalker analyzing what they’re about to get into.

See all 1,138 photos here.

(via Jon Mattox)

I stood beside your bed last night,
I came to have a peep.
I could see that you’d been crying,
You’d found it hard to sleep.
I whispered to you softly,
As you brushed away a tear,
“It’s me. I haven’t left. I’m well. I’m fine. I’m here.”
I was close to you at breakfast,
I watched you pour the tea,
You were thinking of the many times your hands reached down to me.
I was with you at the shops today,
Your arms were getting sore.
I longed to take your parcels,
I wish I could do more.
I was with you at my grave today,
You tend it with such care.
I want to reassure you that I’m not lying there.
I walked with you toward the house,
As you fumbled for your key,
I gently put my paw on you,
I smiled and said,
“It’s me.”
You looked so very tired,
You sank into your chair,
I tried so hard to let you know that I was standing there.
It’s possible for me to be,
So near you everyday.
To say to you with certainty,
“I never went away.”
You sat so still,
So quietly.
Then smiled.
I think you knew.
In the stillness of that evening,
I was right there, close to you.
The day is over,
I look at you,
I smile,
I see you yawning,
I say,
“Good night. Sleep well. God bless. I’ll see you in the morning.”
And when the time is right for you,
To cross the brief divide,
I’ll rush right up to greet you,
And we’ll stand side by side.
So many things to show you,
So much for you to see,
Be patient,
Live your journey out,
Then come home and be with me.

— Unknown

computer hardware ports diagram image chart

Optical Audio “Toslink”, USB A, Firewire 4-pin iLink, Firewire 400 1394a, Firewire 800/3200/1394bc/ Ethernet 8P8C common: RJ-45, Modem RJ-11, Apple Desktop Bus ADB, Mac Serial, PS/2, USB A 3.0, DE-9G, DB-25 Serial/Com Port, DE-9 Serial RS232, e-SATA, Centronics Parallel 36-pin, Centronics SCSI 50-pin, AT Keyboard, 50-pin SCSI 2, Surround Sound, AAUI, Composite Audio/Video, S-Video, Component Video, F-Connector RF/COAX, Parallel Port/SCSI 1/DB-25F, Mac Video/MIDI/gameport/AUI/DA-15, Mini DisplayPort, Mini-DVI, Mini-VGA, Apple Hi-Density Video HDI-45, Apple Display Connector (ADC), LFH60 (dual DVI-D), DMS59 (dual DVI-D), HDMI, Micro-DVI, DisplayPort, DVI Video, DE-15/HD-15 VGA/SVGA

(via www)

See the changing front lines of World War II in both the European and Pacific Theaters, from Hitler’s invasion of Poland to the Japanese surrender on the USS Missouri.

DETAILED KEY:

  • Maroon: Axis Power members, their dependencies/colonies, and annexed lands.
  • Burgundy: Areas militarily occupied by the Axis Powers.
  • Red: Axis puppet states.
  • Pink: Axis gains during that day.
  • Brown: Surrendered axis Governments (not armies)
  • Blue: Allied powers and areas occupied by the allies.
  • Light blue: Allied gains for that day.
  • Purple colors (left to right): Finland, occupied by Finland, and Finnish gains that day.
  • Dark Green: The USSR before it joined the allies and annexed lands.
  • Green: Areas militarily occupied by the USSR before it joined the allies.
  • Light Green: Soviet gains for that day.
  • Dark Orange: The Japanese Empire before joining the Axis Powers.
  • Orange: Japanese occupied lands before joining the Axis.
  • Light Orange: Japanese puppet states before joining the Axis.
  • Extra light Orange: Japanese gains for that day before joining the Axis.
  • Dark Lime Green: China before joining the allies.
  • Lime Green: Chinese gains for that day.

(via EmperorTigerstar)

Jimi Hendrix if he were alive today.

See more here. Collection in cludes Lennon, Joplin, Morrison, and Cobain.

Mary Poppins sing along with Milena

Mary Poppins Sing-A-Long, El Capitan, Hollywood, 1/11/2014

A one-hour PBS special from 1981, directed by Phillip David Schuman, featuring candid on set scenes featuring Steven Spielberg directing and other behind the scenes footage with stars Harrison Ford and Karen Allen and producer George Lucas.

The British Government deemed this 5-reel Hitchcock documentary too grisly for release after World War II. And here it is. WARNING: Contains horrific and disturbing images, which may not be suitable viewing for all.

Full story at Dangerous Minds.

Is there a connection to the probability of death and the number 8?

At the age of 25, our chances of dying are roughly one in 3000. By the time we reach the age of 33 eight years later, chances of dying that year are one in 1500. Double. This pattern continues all the way to the end.

death probability chart

This chart shows that the probability of death doubles every eight years. By the time we get to 100, the odds of making it to 101 are 50%.

Physicist Brian Skinner explains:

Doubling of this sort, when plotted on a chart, looks scary in the later years, but every interval early in the curve is also a doubling. So the same thing keeps happening, only the effects become more pronounced. Anyone reaching the age of 100 seems to have a 1 in 2 chance of getting to 101.

Read the full study at NPR.