A red fox pinpoints field mice buried deep beneath the snow, using his sensitive hearing and the magnetic field of the North Pole to plot his trajectory.
It’s been 30 years. Are we here yet?
From the official site:
The documentary film Back in Time is, at its heart, a look at the very real impact the Back to the Future movies have had on our culture. Funnily enough, the film’s genesis is a testament to how large that impact truly is. The project’s origins are humble: what started as an amusing addition to a Bar Mitzvah video, just happened to resonate and get stuck in director Jason Aron’s head. The Back to the Future trilogy had been a childhood inspiration which led to his career in film, and the idea of the De Lorean time machine wouldn’t leave his thoughts alone.
Those thoughts blossomed into idea for a film which would delve into the impact of the iconic machine. A plan was drawn up, and a Kickstarter campaign was launched. Over 600 backers helped the team supplement the feature’s budget, and for the past couple of years that money has gone to help Back in Time become something so much more than anyone involved ever imagined that it could be.
What was once a little idea that spawned a tightly-focused documentary has grown into something truly amazing over two years of filming. Instead of just a look at the eye-catching De Lorean, Back in Time is a cinematic monument to the vastness of the trilogy’s fandom. In addition to the footage and interviews revolving around the time machine itself, the crew found that simply by delving into the impact of the trilogy an epic journey began to unfold before them.
Shooting in London, England during a Back to the Future event, hundreds of attendees in 1950’s attire were captured for the documentary as they reveled in their shared love of the films; the crew got to set feet upon one of the prophesied hoverboards during a shoot at Hendo Hoverboards; and trips all across America took them from brightly-lit time machine-filled garages to the sun-kissed homes of some truly unforgettable faces.
The crew captured countless hours of footage during filming. From Robert Zemeckis and Bob Gale, to the Sheas and Hollers, and from James Tolkan and Lea Thompson to Christopher Lloyd and Michael J. Fox, Back in Time features interview after interview that simply must be seen.
The scope of the impact of the Back to the Future trilogy is truly something to behold. Back in Time will premier in the fall of 2015 thanks in great part due to the support of a legion of fans. Digital and physical copies of the documentary will be made available after the premier, with precedence going to all those who backed the film’s Kickstarter campaigns.
“You are a worthless, friendless, faggot-lipped little piece of shit whose mommy left daddy when she figured out he wasn’t Eugene O’Neill, and who is now weeping and slobbering all over my drum set like a fucking nine-year old girl! So for the final, FATHER-FUCKING time…”
— Terence Fletcher, ‘Whiplash’
On a related note, The Tonight Show with Johnny Carson, August 11, 1978:
Responsive web design (RWD) is an approach to web design aimed at crafting sites to provide an optimal viewing experience—easy reading and navigation with a minimum of resizing, panning, and scrolling—across a wide range of devices (from desktop computer monitors to mobile phones).
Here’s a cool page of responsive brand logos that show RWD in action. Notice how the logos respond as you shrink your browser window, discarding detail and becoming more abstract.
Levi’s:
Other examples include Coke, Chanel, Nike, Guinness, Kodak, Warner Bros, and Heineken.
